The White House | | |
by Claude McKay | ||
Your door is shut against my tightened face, |
Claude McKay is one of the handful of awesome Harlem Renaissnce poets who don't get the same fame and fortune of others--the white male rule-makers (see my previous post) likely felt they only had room to "canonize" a few of these amazing writers, so people like McKay and the brilliant Nella Larsen get sidelined.
But this poem is an example of why McKay is so deserving of attention: he uses the tight, constricting sonnet form to mirror its content. The furious narrator trying to use courage and grace to stay within the letter of the white man's law is like his deep expressions trying to fit itself into the white man's form.
Some themes that McKay touches on that are relevant to the stunning Obama candidacy and the ugly side of America it has revealed: the idea of the black man having to contain his anger to stay respectable, the hate emanating from silent monuments like the White House that are meant to celebrate freedom, the white house both symboling the power of the presidency and the power of privilege in general.
I think it's a good point of comparison to both Langston Hughes' "I Too, Sing America" and Emma Lazarus' "The New Colossus," the latter expressing Jewish immigrants' rose-tinted view of her new home and highlighting a bit of the difference between the black and Jewish experiences in America.
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