It was Brooks' lame puns and over-the-top slapsick at its absolute farthest reaches, but there was something liberating about the silent format. Plus, watching Mel Brooks, Marty Feldman, and Dom DeLuise [Funn, Eggs and Bell] all together in scene after scene was enough to plaster a grin across my face. I couldn't look at the three of them with out smiling--much less watch them contort their faces into idiotic expressions and walk and skip in

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