Dear Readers,


I now consider this blog to be my Juvenelia. Have fun perusing the archives, and find me at my new haunt, here.

Monday, July 06, 2009

This Week's NYTBR broken down by gender: Surpsingly less awful

Goodish news!

It's inching closer to 50-50 gender parity in the NYTBR this week (July 5th), with the cover and fiction-chronicles endpaper slanting male but the in-between pages maybe leaning a bit female. Check it out/fact-check me--some good reviews in there too.

Bylines:

male: |||||||| (7)
female: |||||| (6)

authors reviewed:

male: ||||||||| (8)
female: |||||| (6)

Sunday, July 05, 2009

Question of the Weekend: Is There Such A Thing as The Great American Novel...

and if there is one, which is it?

Is it To Kill A Mockingbird, Huck Finn, Invisible Man or Beloved for exploring race relations and the fallout from slavery, which is the ultimate American crime and eternal blot on our history?

The House of Mirth or The Great Gatsby for revealing the insider/outsider dynamic and the downside to American obsession with class mobility?

The Scarlet Letter or the Age of Innocence for plumbing the depths of Puritan prudery?

The Grapes of Wrath? The Sound and the Fury? My Antonia? Moby Dick?

If I had to vote I'd probably pick Beloved, Gatsby and the Scarlet Letter because I think they hit at three essential American themes and they're fairly accessible despite their genius, but I can totally see arguments for any of the above, plus a host of others. What do you think?

And which great American novels do you want to read, or which couldn't you care less about?

[Note: moved up from Friday]
Happy holiday.

Saturday, July 04, 2009

4th of July America-a-thon: "These Yet to Be United States" Angelou

These Yet To Be United States

~

Tremors of your network
cause kings to disappear.
Your open mouth in anger
makes nations bow in fear.

Your bombs can change the seasons,
obliterate the spring.
What more do you long for ?
Why are you suffering ?

You control the human lives
in Rome and Timbuktu.
Lonely nomads wandering
owe Telstar to you.

Seas shift at your bidding,
your mushrooms fill the sky.
Why are you unhappy ?
Why do your children cry ?


They kneel alone in terror
with dread in every glance.
Their nights are threatened daily
by a grim inheritance.


You dwell in whitened castles
with deep and poisoned moats
and cannot hear the curses
which fill your children's throats.


-Maya Angelou

4th of July America-a-thon: "Let America be America Again" Hughes

Langston Hughes - Let America Be America Again

Let America be America again.
Let it be the dream it used to be.
Let it be the pioneer on the plain
Seeking a home where he himself is free.

(America never was America to me.)

Let America be the dream the dreamers dreamed--
Let it be that great strong land of love
Where never kings connive nor tyrants scheme
That any man be crushed by one above.

(It never was America to me.)

O, let my land be a land where Liberty
Is crowned with no false patriotic wreath,
But opportunity is real, and life is free,
Equality is in the air we breathe.

(There's never been equality for me,
Nor freedom in this "homeland of the free.")

Say, who are you that mumbles in the dark?
And who are you that draws your veil across the stars
?

I am the poor white, fooled and pushed apart,
I am the Negro bearing slavery's scars.
I am the red man driven from the land,
I am the immigrant clutching the hope I seek--
And finding only the same old stupid plan
Of dog eat dog, of mighty crush the weak.

I am the young man, full of strength and hope,
Tangled in that ancient endless chain
Of profit, power, gain, of grab the land!
Of grab the gold! Of grab the ways of satisfying need!
Of work the men! Of take the pay!
Of owning everything for one's own greed!

I am the farmer, bondsman to the soil.
I am the worker sold to the machine.
I am the Negro, servant to you all.
I am the people, humble, hungry, mean--
Hungry yet today despite the dream.
Beaten yet today--O, Pioneers!
I am the man who never got ahead,
The poorest worker bartered through the years.

Yet I'm the one who dreamt our basic dream
In the Old World while still a serf of kings,
Who dreamt a dream so strong, so brave, so true,
That even yet its mighty daring sings
In every brick and stone, in every furrow turned
That's made America the land it has become.
O, I'm the man who sailed those early seas
In search of what I meant to be my home--
For I'm the one who left dark Ireland's shore,
And Poland's plain, and England's grassy lea,
And torn from Black Africa's strand I came
To build a "homeland of the free."

The free?

Who said the free? Not me?
Surely not me? The millions on relief today?
The millions shot down when we strike?
The millions who have nothing for our pay?
For all the dreams we've dreamed
And all the songs we've sung
And all the hopes we've held
And all the flags we've hung,
The millions who have nothing for our pay--
Except the dream that's almost dead today.

O, let America be America again--
The land that never has been yet--
And yet must be--the land where every man is free.
The land that's mine--the poor man's, Indian's, Negro's, ME--
Who made America,
Whose sweat and blood, whose faith and pain,
Whose hand at the foundry, whose plow in the rain,
Must bring back our mighty dream again.

Sure, call me any ugly name you choose--
The steel of freedom does not stain.
From those who live like leeches on the people's lives,
We must take back our land again,
America!

O, yes,
I say it plain,
America never was America to me,
And yet I swear this oath--
America will be!

Out of the rack and ruin of our gangster death,
The rape and rot of graft, and stealth, and lies,
We, the people, must redeem
The land, the mines, the plants, the rivers.
The mountains and the endless plain--
All, all the stretch of these great green states--
And make America again!

4th of July America-a-thon: "America" Ginsberg

America

Allen Ginsberg

America I've given you all and now I'm nothing.
America two dollars and twenty-seven cents January 17, 1956.
I can't stand my own mind.
America when will we end the human war?
Go fuck yourself with your atom bomb
I don't feel good don't bother me.
I won't write my poem till I'm in my right mind.
America when will you be angelic?
When will you take off your clothes?
When will you look at yourself through the grave?
When will you be worthy of your million Trotskyites?
America why are your libraries full of tears?
America when will you send your eggs to India?
I'm sick of your insane demands.
When can I go into the supermarket and buy what I need with my good looks?
America after all it is you and I who are perfect not the next world.
Your machinery is too much for me.
You made me want to be a saint.
There must be some other way to settle this argument.
Burroughs is in Tangiers I don't think he'll come back it's sinister.
Are you being sinister or is this some form of practical joke?
I'm trying to come to the point.
I refuse to give up my obsession.
America stop pushing I know what I'm doing.
America the plum blossoms are falling.
I haven't read the newspapers for months, everyday somebody goes on trial for
murder.
America I feel sentimental about the Wobblies.
America I used to be a communist when I was a kid and I'm not sorry.
I smoke marijuana every chance I get.
I sit in my house for days on end and stare at the roses in the closet.
When I go to Chinatown I get drunk and never get laid.
My mind is made up there's going to be trouble.
You should have seen me reading Marx.
My psychoanalyst thinks I'm perfectly right.
I won't say the Lord's Prayer.
I have mystical visions and cosmic vibrations.
America I still haven't told you what you did to Uncle Max after he came over
from Russia.

I'm addressing you.
Are you going to let our emotional life be run by Time Magazine?
I'm obsessed by Time Magazine.
I read it every week.
Its cover stares at me every time I slink past the corner candystore.
I read it in the basement of the Berkeley Public Library.
It's always telling me about responsibility. Businessmen are serious. Movie
producers are serious. Everybody's serious but me.
It occurs to me that I am America.
I am talking to myself again.

Asia is rising against me.
I haven't got a chinaman's chance.
I'd better consider my national resources.
My national resources consist of two joints of marijuana millions of genitals
an unpublishable private literature that goes 1400 miles and hour and
twentyfivethousand mental institutions.
I say nothing about my prisons nor the millions of underpriviliged who live in
my flowerpots under the light of five hundred suns.
I have abolished the whorehouses of France, Tangiers is the next to go.
My ambition is to be President despite the fact that I'm a Catholic.

America how can I write a holy litany in your silly mood?
I will continue like Henry Ford my strophes are as individual as his
automobiles more so they're all different sexes
America I will sell you strophes $2500 apiece $500 down on your old strophe
America free Tom Mooney
America save the Spanish Loyalists
America Sacco & Vanzetti must not die
America I am the Scottsboro boys.
America when I was seven momma took me to Communist Cell meetings they
sold us garbanzos a handful per ticket a ticket costs a nickel and the
speeches were free everybody was angelic and sentimental about the
workers it was all so sincere you have no idea what a good thing the party
was in 1835 Scott Nearing was a grand old man a real mensch Mother
Bloor made me cry I once saw Israel Amter plain. Everybody must have
been a spy.
America you don're really want to go to war.
America it's them bad Russians.
Them Russians them Russians and them Chinamen. And them Russians.
The Russia wants to eat us alive. The Russia's power mad. She wants to take
our cars from out our garages.
Her wants to grab Chicago. Her needs a Red Reader's Digest. her wants our
auto plants in Siberia. Him big bureaucracy running our fillingstations.
That no good. Ugh. Him makes Indians learn read. Him need big black niggers.
Hah. Her make us all work sixteen hours a day. Help.
America this is quite serious.
America this is the impression I get from looking in the television set.
America is this correct?
I'd better get right down to the job.
It's true I don't want to join the Army or turn lathes in precision parts
factories, I'm nearsighted and psychopathic anyway.
America I'm putting my queer shoulder to the wheel.

4th of July America-a-thon: "Long, Too Long America," Whitman

Long, Too Long America

Long, too long America,
Traveling roads all even and peaceful you learn'd from joys and
prosperity only,
But now, ah now, to learn from crises of anguish, advancing,
grappling with direst fate and recoiling not,
And now to conceive and show to the world what your children
en-masse really are,
(For who except myself has yet conceiv'd what your children en-masse
really are?)




by: Walt Whitman

Friday, July 03, 2009

Moby Dick

Speaking of the Great American Novel.

This is a hard one to sum up... but I will try to scatter my disparate thoughts in hopes that there's a kernel of wisdom in there.

Moby Dick is notoriously lofty even though it's about a very dirty, corporeal thing--whaling--and indeed, a lot of it was dry and had to be muscled through, particularly the parts that get down into the nitty-gritty of whales, whaling, ships and all the traditions therein. Ishmael/Melville were big on refuting stereotypes and rumors, which must have abounded at the time.

However, the underlying story and Melville's use of language was as incredible and out there as I'd been told, ranging from Shakespearean to Bilblical with an authentic American touch. I adored the first third, in which we follow Ishmael (and his new BFF Queequeg) from New Bedford to Nantucket and out to sea. There were some incredibly memorable scenes, including one in a chowder house (Cod or Clam!) and of course, the sea-metaphor-laced sermon in the New England church. This first part was certainly awesome to read in Nantucket.

Then of course the final, gripping few chapters that bring the voyage of the Pequod to its fated end were devastatingly tragic and wonderful, with some incredible sentences that linger, melodically in the brain.

But what was most surprising about the book was the wit, humor, puns, philosophical musings and sly references tucked in everywhere by Melville, the former so much so that they made me chuckle. This was a pleasant gift hidden within the book's thick pages that makes me doubly glad I've finally tackled this beast of a novel!

Thursday, July 02, 2009

Another Pride and Prejudice Parody

via my tweep @bethlovesbolly

@fellowette P&P with 20th century dances at the ball - SO fun. Hard to look at Darcy the same now. http://trunc.it/nqh5 starting at 2:10

The video starts around 2:10 and goes for less than a minute, but the attention to detail is very funny. The brits take their Pride and Prejudice references seriously.

Dead Until Dark

Dead Until Dark (Sookie Stackhouse #1) Dead Until Dark by Charlaine Harris

My review>
rating: 3 of 5 stars
I picked up the first Sookie Stackhouse novel in the middle of Moby Dick to give myself a beach-read break (no one should go on a beach vacation without paging through a single beach read, even if the major novel you are otherwise reading is about The Sea).


Anyway, although it started off slow, I got into Dead Until Dark quickly : it's funny, sassy, sexy, well-paced and mysterious. Like the show it's the basis for, True Blood, it's all very absurd, particularly the fact that the townspeople in Bon Temps aren't all locked up in psych wards with extreme PTSD, but I digress...with a much stronger, funnier, more self-realized heroine than Twilight but the same "I'm protecting YOu" no "I'm protecting You" dynamic as those teen novels (and lots of very explicit sex), it's got all the heat of the Edward-Bella relationship without the ick factor. Sookie, southern waitress in short-shorts who loves beauty products through she is, actually considers the gendered implications of her relationship with Bill and values her independence. And then she has hot vampire sex with him and gets bitten. WORD.

So if you're looking for a breezy summer read that doesn't kill brain cells, I say don't be afraid to give Sookie a spin ;)

Thanks to Molly for lending me the book!

View all my reviews.

Olive Kitteridge



Olive Kitteridge by Elizabeth Strout


Everyone's been talking about Olive Kitteridge since it's been racking up the awards this year so I decided to see what the fuss was all about. "A novel in stories," OK consists of 13 interlocked tales that all involve--in one degree or another--acerbic, judgmental, funny yet profoundly sad New Englander Olive Kitteridge. Each story has its origin in her small Maine town, so the woods, small shops and restaurants, and even the sea of all play a background yet quietly forceful role . Sometimes Olive is the main character or a secondary character, and we get to see her in all her mistrustful, snappish (but occasionally thoughtful) glory, and other times she's mentioned in passing or comes into a room briefly. But most of the stories that don't revolve around her are as poignant as the ones that show the progression of her life, not a happy one but with small redemptions.

I have to say that although "small Maine town" sounds quaint, like Richard Russo, Strout is focused more on the cold granite side of New England life than the bucolic side :). The stories are about mortality, distance and separation and the imperfections of daily life. The narration is not at all obtrusive while being quite well-written-- and most of the tales really tug at the heartstrings. I definitely recommend it for a sober summer read that will stick with you long after you turn the last page.


Pamela

Pamela: Or Virtue Rewarded (Oxford World's Classics) Pamela: Or Virtue Rewarded by Samuel Richardson

My review
rating: 4 of 5 stars
I was so busy catching up on all my vacation books that I totally forgot to blog my final thoughts on this 18th century behemoth.

What to say about a book that treats virginity as the most important quality a woman has but is weirdly feminist in the agency and resistance it gives its perky heroine? A book that demonizes a tyrannical master as a would-be rapist and jailer and then turns him into a romantic hero? A book that embraces a cross-class marriage while avowing to preserve the distinction of rank? Only that the contradictory experience of reading it is exactly like the contradictions embedded within. It's remarkably funny, sly and clever in parts and ridiculously didactic and sentimental in others, incredibly quick and engaging in parts (particularly the beginning) and deadly dull in others, the characters are wild caricatures in some moments and sympathetic, fully-realized people in others.

In other words, it's the novel in the early stages of evolution, and it's fascinating. The reason one would read Pamela, as I did, was to see how clearly Richardson's influence is present in British literature of the century thereafter--and oh how evident it is in both Jane Austen and Charlotte Bronte as well as many other of my faves. Pamela foreshadows the way class would be a dominant theme in the books that followed, the obsession with the condition of woman for the British novelist, and the country manor house as a vital setting for so much of literature that has ensued.

But what makes it stand out on its own, away from the importance of its legacy, is the strength Pamela Andrews' (later Mrs. B) voice throughout--funny, playful, earnest, and utterly unique, full of desires, petulance, and awareness of her audience. Goody-goody though she is, the girl has spunk, and you've got to love Richardson for creating her.


View all my reviews.

Wednesday, July 01, 2009

Last Week's Book Review, Broken Down by Gender

Again, an imperfect accounting--correct me if I'm wrong: This Week's Issue: June 21, 2009
Again, presented w/o comment, except for this link.

Cover: male author, male reviewer

Male authors: |||||||||||| (12)
Female authors: || (2)


Male reviewers: ||||||||| (9)
Female reviewers: ||||| (5)

Link-O-Rama: Katha Politt Says Poetry's Not Dead!

Here is Katha Politt, better known for her liberal-feminist rabble-rousing at The Naiton than for her award-winning poetry, on how we can support the neglected but vital art form'.

Anna breaks it down here.

I'm going to start printing a poem a week again. If you (my readers) have poems to recommend for this feature, let me know by sending me a line or dropping a comment. Which poets, eras, or genres have I neglected thus far?

Yours in verse,

F-ette.

Breathing Lessons


Catching up on my reading, part 1

Count me as a huge fan of Anne Tyler. Everything I've read by her--Dinner at the Homesick Restaurant, The Amateur Marriage, The Accidental Tourist and A Patchwork Planet--has been totally breathtaking. So I thought this one, the book that finally netted Tyler her Pulitzer, would be the cream of the crop. While it was still masterful, I found it to actually be the least enjoyable of her books that I've read, mainly because her portrayal of two characters--husband and wife who absolutely cannot stop themselves from compulsively living their quirks and fucking up-- was too real and consequently painful.

The novel takes place over a single day, as Maggie and Ira Moran hit the road for a funeral of an old friend's husband, and make some unexpected stops along the way, including to drop in on their estranged daughter-in-law and granddaughter. Maggie is an extrovert--she strikes up intimate conversations with strangers all the time and can't help herself from telling little white lies and interfering where she shouldn't. Ira is quiet and no-nonsense, but can also be incredibly blunt in the name of honesty. Together they manage to make a mess of things. Tyler includes flashbacks that drift in and out of their marriage's past. It's an incredibly real, compelling, and honest portrait of a "good" marriage, in that although the couple is loyal and devoted, they have their own communication problems and bad patterns that the outside world sees better than they do. But they are both fundamentally decent people, so when Tyler ends the sad little story of their day with a hint of hope, it feels genuine. It comes from Maggie's boundless spirit of optimism.

Tyler's dedication to the truth of the average person's experience--pain, quirks, and all--is stunning, if sometimes hard to read.